|Meet the curators:|
So many of our friends
have suggested we put a
picture of ourselves on the
site that we can't refuse.
So here we are
Susanne on your left and William Ernest - casually known as "Bill" - on your right.
"Thank you very much. You have been a delight to deal with and I'm sure I will love the painting. All the best"
"My Earl Campbell 'Walrus Shaman' arrived today, safe & sound & in excellent condition! Thank you. ."
Our friends also ask a lot of questions. We thought we'd answer them here:
How did you get started with Tribal Art?
We started collecting in 1977, when we lived in Australia and became enamored of Aboriginal culture and the art of these fascinating, talented people. Australian Aboriginal culture is estimated by anthropologists to go back 26,000 years. The art is almost that old, having its genesis in paintings on the rocky escarpments of what is now Australia's Northern Territory
When did African art enter your picture?
A return trip to the United States took us across the African continent. While there, we sensed a strong connection between West African and Central African art and that of Australia's Aborigines. While different from each other, they resonate to the same rhythm. The connection was strongenough to draw us back to Africa to learn more and buy pieces for our personal collection.
And when did you discover Native American art?
When we moved back to the United States, we discovered the power of the Native American artistic tradition. It was something we had never experienced in our earlier years in the United States. We believe it was our exposure to Australian Aboriginal art that sensitizedus to the whole context of tribal art.
When did you open the Sanibel gallery and when did it close?
Collecting material from these areas led to trading. Trading became the gallery. First, we worked out of our home in Chicago.
Aboriginals: Art of the First Person opened as a gallery in 1990. We had been coming to Sanibel for years as we moved elsewhere around the world.
Finally, when wedecided to open the gallery, Sanibel felt like home. We also knew of Sanibel's international reputation as a great place to live and visit. We believed - and it turned out to be true - that many of the people who share our interest in tribal art would be drawn to this part of the world.
Ultimately, our timetable for maintaining the physical gallery ran out. That timing coincided with some other factors - two hurricanes in successive years and a change in ownership of the gallery space we had rented. In 2006, weclosed the physical gallery and shifted our entire activity to the internet and the web.
What's your vision for Aboriginals: Art of the First Person?
We see ourselves continuing our interest the finest in authentic tribal art from Africa, Australia and Native America, enjoying it while it passes on to others who will "give it a good home." As age and pandemics catch up with us, we remain in good health but physically limited in our treks to our original sources. We will, however continue to offer pieces from our collection to our beloved customers and to communicate with our clients and resources.